Showing posts with label racially insensitive samplers. Show all posts
Showing posts with label racially insensitive samplers. Show all posts

3.13.2012

The Battle of Utrecht

I’ve been writing on this blog intermittently for over two years now, so – senile old coot that I am – I sometimes forget exactly which of my pet insanities delightful eccentricities I’ve told you about. For example, did you know I’m an obsessive list-maker? Everything must be on a list, or it doesn’t count, it’s not real, and I can’t be held responsible for forgetting or not caring about it. I’ve had a running to-do list for years now (obviously regularly transferred onto a new sheet of paper when a lot gets done and scratched out) and it governs my life. I left it at ex-co-blogger Eddie’s house once, and… I did not handle it well. There was wailing and gnashing of teeth.

Now, having the list does not necessarily mean I get the shit on it done, but at least it’s all neatly arranged so I can worry about it. Case in point: my cousin had a baby in late December. I don’t know if she reads the blog, but in the interest of privacy I’ll just tell you she named it after a major river of France – you can decide among yourselves what you’d like to imagine among Rhine, Rhone, Garonne, Seine, Marne, Oise, or Loire. (Too bad France lost most of its empire or we could throw in Volta, Mekong, and Saint Lawrence.) I don’t much care for the name, but I can’t really say anything because a) it’s too late b) it’s none of my business c) I’m a childless spinster and d)  little Mekong’s cousin, born a year earlier, is named Jimmy. She is female, and named after a beloved late dog of my grandmother’s. The dog was named after a black army nurse who was one of my grandmother’s best friends when they were in Europe during World War Two. (Jimmy was a nickname for Jemima or something similar.) Things about this I don’t understand: how my grandmother made a close black friend in the still-segregated army, why she named a dog after her thirty-five years after the war, how Jimmy-the-woman felt about Jimmy-the-dog or if she ever knew, and how Jimmy-the-baby will feel when she hears this story.

Here’s how a discussion of my list-making turned into a rambling discourse about Little Mekong: my cousin asked everyone in the family to paint a small canvas or panel to decorate the nursery, as a sort of welcome. I thought this was a wonderful idea, and immediately bought a small canvas, brushes, paint, and a stencil of a parent and baby giraffe. I painted the grass and the sky, set the canvas aside, and didn’t touch it again until last week. With national supplies of ADHD medicine dwindling (it’s true, there’s like a HORRIBLE shortage), I knew I had to paint it now, while I still had legal amphetamines, or keep putting it off until Mekong graduated high school and “paint baby canvas” had spent eighteen glorious years on my to-do list. So last week, I got out my supplies and prepared to Make An Art. I couldn’t find the clip to hold the stencil to the canvas, so I had to run to the art supply store.

The art store is almost right across the street, next to an out-of-business salon mysteriously named “HAIRZ GOD’S GIFT,” so this errand should have taken five minutes TOPS. Giant Camel came with me to get some supplies for his obscene collages, which was nice because it counted as a date and got me out of springing for Qdoba that weekend.

So we go in, I find my clip, and I go to the cash register. The Art Fag manning the register (yes, I’m sure you’re offended, but you also know exactly what I mean) said, “Oh, I guess you’re just here for the free stuff?”

“Uh… so I can just have this clip?”

No. We’re giving away gift bags with purchases. Also everything in the store is thirty per cent off.”

“Okay, uh… I guess I’ll pretend to need more stuff to take advantage of the savings…”

So I wandered around a while before just buying five blank greeting cards for when I forget people’s birthdays. I took my clip and five cards to the register, where I got a different, slightly larger art fag, and everything went to hell.

You know how you’ll go to the store, and the one day you’re buying condoms and laxatives, or trying to use the six dollars of food stamps you have left over, or have some awkwardness, you get the chatty, incompetent cashier? You can sail right through with a toothbrush even if you’re paying with an out-of-state check, but God forbid you need Pepto-Bismol even if you have exact change. We had the art-store equivalent of that cashier. I just wanted to go home and paint my damn giraffes. Oh, no. I had to enter the raffle, get my bag of freebies, talk about the raffle, talk about the freebies, swipe my membership card, swipe my debit card, do it all again, hear the cashier yell “Tood, I need your numbers! I need your numbers! Todd, I need your numbers for the register! Todd! Numbers!” do it all a third time, wait for him to bag my purchases despite the fact that I’d just been given a bag of freebies, be invited to some kind of art demonstration later in the day, be offered refreshments, and watch him count my change, look confusedly at the cash register, and count my change again before I could get out of there. I would have gladly abandoned my change, my honor, my ethics and my boyfriend just to NOT BE AT THE CASH REGISTER anymore. It was a shackle and a bishop away from being an inquisitorial torture, although I did snag a free nutter butter on the way out.

Finally home, I took an inventory of the goodie bag:

-       The bag itself, which is one of those reusable shopping bags that everyone thought was environmentally friendly but it turns out they aren’t
-       A small tube of yellow ochre acrylic paint, with one of those “CALIFORNIA SAYS YOU’LL GET CANCER” labels
-       A little box with two more acrylic tube “green gold” and quinacridone magenta.” Now… two things. Gold doesn’t tarnish, so “green gold?” Does it just sound better than “remember that tacky brass lamp your parents had in 1989? That color.”? And “quinacridone magenta.” Magenta is already a fairly specific color – do we need it to be sub-specified by whatever peculiar chemical is in it? Has anyone ever demanded of an art store clerk, “Does this magenta have quinacridone in it? THERE MUST BE QUINACRIDONE OR ALL WILL BE RUINED.”
-       A stick of Elmer’s glue. Does anyone know what that animal on Elmer’s glue is? It looks like a fat chupacabra.
-       Some post-its
-       A sketch pad
-       A small paintbrush
-       A yellow highlighter
-       Another brand of acrylic in titanium white
-       A maroon gel pen, in case you wanted to be a female teenage Aggie fan in 2001
-       A plain blue ballpoint
-       A New Year’s Sale coupon that’s good from February 28 to March 13. I don’t think that’s even Chinese new year.
-       Something called an “angling tool”
-       A six-inch ruler, which of course is useless for me (did you get that? Did you get the dick joke?)
-       A single sheet of watercolor paper
-       Some tape
-       A brown map color taped to a card (tangent below)*
-       Another tiny tube of acrylic in “azo yellow.” You are artists. Here’s a list of things that are yellow: the sun, lemons, buttercups, jaundice, white wine, gold, topaz, any number of lemon-flavored candies, most urine, bees, honey, Winnie the Pooh, squash, blond hair, cheetahs. Nothing? Nothing better than "azo?”
-       A tiny gesso board
-       A package of “paper samples”

What on earth does a person do with such a bag? Paint a six-inch-high painting of a titanium white woman in a yellow ochre dress and with azo yellow hair running across green-gold grass toward a quinacridone sunset on a variety of papers?

I did, however, produce a wonderful painting:


The shape of the giraffes is a little shaky, I grant, but I’m pleased with the spots, and the shrub is a triumph.

*Brown map color tangent: in second grade, I had a teacher who liked to give out coloring packets. Graded coloring packets. There were like, thirty pages stapled together, and we were to work on them in our free time when we were done with our work. No one ever finished them, so on the last day of the term we all had to take them home and finish coloring them. Our teacher, oddly strict about accuracy, wanted everything to be brown, since “people didn’t have fancy dyes back then.” So we had to color
brown Christopher Columbus, on a brown ship, with a crew of brown Spaniards and Italians, in brown clothes, eating brown bread, leaving the brown dock in brown Spain, and finally arriving on the brown shore of Hispaniola, which featured brown natives in brown clothing standing in front of brown tree trunks.
I no longer care for brown.

7.06.2011

Worst of Netflix: The Corndog Man

First of all: they did make a sequel to The Human Centipede, and it did get banned in the United Kingdom of Great Britain and Northern Ireland. I’m going to go to Norway next month, stock up on copies, and try to smuggle them in on a fishing boat. Meg will stick some in her brassiere and take the Channel ferry from France, and the ever-loyal Kevin Yang is going to fly helicopter sorties from the Isle of Man. Don’t worry, British readers. We’ll make sure you get all the butchery and coprophagia you can handle.

I’ve missed doing Worst of Netflix, but I’ve had a bear of a time finding the right movies to use for it. It’s a delicate balance: you have to find movies that aren’t very good, but that tried to be good, and are also eventful enough that you can actually write about them. I had high hopes for the homoerotic Japanese samurai drama Taboo, but most of the movie was aching glances and bland intrigue, all with the grainy color of a 1970s BBC drawing-room sitcom with a title like “Her Majesty’s Loyal Breeches.” The Gingerdead Man 2: Passion of the Crust knew it was terrible and loved it. You can’t really make fun of a movie in which a haunted dildo fights a haunted gingerbread man. Horror of the Blood Monsters was actually too bad to review, although God willing they’ll bring back MST3K and do that old dog up right. With commentary, it would be funny, but written it would just be “And then for some reason we’re looking at stock footage of baboons through a red filter…” over and over again. Jefftowne, a Troma documentary (yes) about an alcoholic with Down syndrome who sexually harasses women, was too depressing to review; ditto I Think We’re Alone Now, a documentary about two dangerously obsessive Tiffany fans. (I do, however, totally recommend that you watch I Think We’re Alone Now, especially the special features.)

Thank God for The Corndog Man
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I have a special history with this movie. My freshman year of college, I spent a lot of time with “Sue,” a girl who ultimately had a The Da Vinci Code­-themed nervous breakdown in which she realized that she was a direct blood descendent of Jesus, despite being almost as much of an overbred WASP as I am, and needed to have a baby with her friend’s boyfriend, also a descendent of Jesus, in order to… something. She had a conversation with the color green, according to the hospital orderly. Anyway, before all this happened, Sue was good friends with The Prisons, a trio of guys from Maryland who had gone to jail their first night at college. This group of people was a lot of fun, and actually came up with the best idea for liquor marketing I’ve ever heard: “Russe face.” Crown Russe is a brand of plastic-bottle, college-cheap booze that makes Scotch, gin, and vodka. They insisted everyone who came around them take a shot of the Scotch, because “everyone has a Russe face!” Madison Avenue couldn’t have done better.

Another of their obsessions was The Corndog Man.

Sue: “Oh, God. Chris. Oh, God. It was awful. Ugh. There’s all this… ugh.”

Me: “I WANT TO SEE IT.”

Sue: “I’ll watch it with you, just not… yet. I need to heal. It’s very… much.”

Prison Joe: “Hey, Sue! I’M THE CORNDOG MAN!”

Sue: “Oh God.” (vomits in trash can.)

I finally saw it, and it was. Very. And now I’ve watched it again for you. I feel compelled to say that The Corndog Man isn’t objectively bad, really. It very much is what it is, like mayonnaise-based fruit salad or Star Wars. You’re either into it or not.

The first line of the movie is “I’ll sell a colored man a boat faster than a cat can lick its ass,” and you better believe I’m embroidering that on a sampler. We then cut to a “new guy in town montage,” in which a man in dingo boots rents a room, hooks up his phone, and unpacks a couple of photographs. His car has Florida tags that read C DOG MAN. He then calls Buford, the boat salesman of colored man/cat ass fame, to ask about buying a boat. Gradually, we become aware that ninety percent of the movie will be increasingly ominous phone calls between these two men.

Summarizing a phone conversation is about as boring as retelling a dream, so I’ll give you the high points. C DOG MAN calls Buford over, and over, and over again, harassing him to the point of lunacy. Buford lives on a houseboat with a long-haired white guinea pig and drinks a lot. He also has a black transsexual girlfriend about twenty-five years his junior who calls him “Daddy” and has the best line in the movie: Buford gets falling-down drunk and tries to piss against a wall, causing the girlfriend to shout “You are in front of a lady!” Alcoholism, star-crossed romance, whatever: just don’t let women see you urinate. Later, Buford and the girlfriend pull over by the side of the road to dance in the light of the car headlights; Buford projectile vomits, causing the girlfriend to fling up her hands in an oh-it’s-one-of-those-nights-God-damn-I’m-wasting-my-life gesture and walk off.

C DOG MAN continues. He tells everyone about the black girlfriend, sinks the houseboat, and one night when Buford is insensibly drunk paints him in blackface and sets his unconscious body in front of the store where he works. There’s also an odd little scene where C DOG MAN tricks Buford into smashing up a pink Cadillac with a hammer, and all the while calls Buford a dozen or more times a day.

I won’t go into details in case you want to watch it, but as you may have guessed, C DOG MAN is deliberately driving Buford mad in revenge for Something Terrible That Happened Long Ago. Ain’t that always the way in movies about the South? We don’t get good satellite reception, so we spend all our time doing Terrible Things so that we can entertain ourselves by waiting for them to come to light – and, of course, discovering Terrible Things other people did and bringing them to light.

Oh, and you never find out what the corndog thing is about. Either that or it’s too subtle for me.
 
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