Showing posts with label meg would go gay for whitney port in a heart beat. Show all posts
Showing posts with label meg would go gay for whitney port in a heart beat. Show all posts

10.28.2009

Recrap Wednesdays Have Jumped the Shark

Ah Wednesday nights. My favorite night of the week, not because it means the week is half over or because someone somewhere is cracking a cheap "Hump Day" joke. No, Wednesday nights hold a special place in my heart because it is the night I get to watch my stories. Every Wednesday (more or less) since moving to NYC, my friend Jaimie and I get together to watch our programs. And after a long week, nothing is better than a glass of wine and some stupid TV, whether that involves Tyra Banks, Top Chefs, or thinking one can dance merely depends on the season.

Let me digress a bit and explain. I have this bad habit of over-committing myself to things. Meaning if I start something, you better believe I'm going to see it out to its natural end. Which sounds noble, until you put it into practice. If I paid $10 to see The Happening in theaters, I'm going to stay until the bitter end, even if that means cringing through all of Mark Wahlberg's dialogue. Likewise, once I start a book, I'll be damned if I'm going to give up after 20 pages. It could get better, right? (No. No it won't.) Only recently was I able to abort a book like an unwanted pregnancy, but even that took me 700 pages! (Seriously, do not ever start reading Pillars of the Earth. Unless you enjoy 900 pages' worth of detail about the building of a castle.) But still, it's progress. The same rule applies to my TV viewership: when I commit to watching a TV show, it takes a lot to cancel my season pass.

Meg recently explained the phrase "jumped the shark" to me. I’d heard the phrase before but had never really known what it meant. According to Meg, by way of Wikipedia, jumping the shark "has been used as a metaphor to describe something that had become an unintended mockery of itself. The term arose from one of the most famous of these plots on Happy Days, which involved Fonzie performing a water ski jump over a shark in an episode aired on Sept. 20, 1977, during the show's fifth season." So basically, when a series has jumped the shark, said show has passed its peak of quality and popularity.

Being 24, and thus born in '85, obviously I wasn't around to watch Fonzie jump the shark, but recently, some of my own beloved TV shows have gone and jumped their respective sharks, giving me enough of an excuse to stop watching mid-season. Saying goodbye to these shows was hard for me to do, but if I didn’t cut the cord myself, they would be hanging out of my proverbial vagina for the rest of my life.

The Real World

When the show first started airing, I was way too young to fully grasp the show’s premise. I vaguely recall Montana and Elka smoking in a firehouse in Boston, talking about boys, or their period, or something else mind-numbing. But later seasons were all anyone talked about at school. Somehow between 1997 and 1998, I grew up enough to care about Stephen bitch-slapping Irene, even though a ho had Lyme disease. Then for about 5 seasons, I was hooked and couldn’t wait until people stopped being polite and started getting real. For me, the show jumped the shark with the Las Vegas season. Specifically one episode where Trishelle, the local syphilis factory, was at a club and was hoisted into the air, “forgetting” she failed to put on underwear. Then I realized the show stopped being about anything other than attractive people hooking up and contracting multiple diseases from each other. Maybe it's because now I'm suddenly older than half the cast members. Or maybe it's because I found out the real real world isn't chock full o' nuts and slutty alcoholics. Graduating and finding out that the real world involves paying bills and getting a job, not just having casual sex with wild abandon sort of puts a damper on watching your peers do just that.

Survivor

Keeping in the reality TV show genre, I was a big fan of Survivor back in the day, before Elizabeth Hasselbeck turned into a harpie. The intrigue! The suspense! The challenges! Jeff Probst’s dimples! I’m not going to lie, my best friend junior year of high school and I bought each other authentic Survivor buffs for Christmas. That’s how into the show I was. My fascination with this show was short-lived, however. After watching the All-Stars season where the runner-up proposed to the winner on live TV, I puked into my buff, threw it out the window, and promptly put on Big Brother.

Grey’s Anatomy

Junior year of college, Grey’s was what brought a bunch of my friends together. I think we all secretly wished we could be a part of life at Seattle Grace. In those glory days, Meredith wasn’t half as whiny, Izzie was cool, in control of herself, and decidedly not crazy, Bailey was as sassy as ever, and George was just plain adorable. The show even introduced the word “vah-jay-jay” into my everyday vernacular. Then Isaiah Washington had to go drop the F word on T.R. Knight off-screen. New characters were introduced. Izzie falls in love with a patient, then inadvertently kills him to try and save his life. To that, I say “Really?! Cutting someone’s life line seems like a good idea? Really?” But no, I kept watching. Until the end of last season, when I realized that the writers/actors had gotten into this annoying habit of repeating a line for emphasis. Specifically, one episode in which Callie fixed a guy’s broken legs only for him to die on the operating table. Cut to Callie saying “I built him legs!” over and over and over and over, in varying degrees of hysterics. Good day to you.

Gossip Girl

This is what prompted Meg to tell me what jump the shark meant. The first season of the show was so good. Everyone was hooking up with everyone, there was drama, there were catfights, there was sex. What else could you need? Then season two strolls along, and things are starting to get weird. Incest comes sniffing around (Lily and Rufus dating, while Serena and Dan are also dating). Vanessa appears once too often, never failing to mention her lesbian sister’s punk band every chance she gets. And then Chuck gets involved in a secret sex club that his father belonged to? When a show starts borrowing story lines from Kubrick movies, I think it’s past its prime. What’s next? Rufus ties down Little J and forces her to watch girls wearing respectable amounts of eye makeup and skirts that go below their labia? I gave it another shot for the Season 3 premiere, but after 45 minutes of Serena’s paparazzi antics to “get her father’s attention,” I put the show on an ice floe and pushed it into the great unknown.

You may wonder why there is no City recap today, nor will there be one tomorrow. Frankly, I just can’t do it anymore. One season of complete inanity was plenty for me. I could recap the whole season for you right now in two sentences: Whitney and Roxy butt heads. Olivia is just a bitch. There, I saved you countless hours of stock footage, plugged music, and forced dialogue. Why The City jumped the shark: does any believe Roxy and Whitney really go way back? I didn’t think so.

Does giving up on The City make me a bad person? I don’t think so. Hating nerds makes me a bad person. Punching babies makes me a bad person. But not watching Whitney get pushed around on a day-to-day basis, or any of the above past-their-prime TV shows is just me preserving my sanity.

10.15.2009

Recrap Wednesday/Thursday/Price Point

Scandal Alert! Scandal Alert!

So you know how The City is totally real, no-I'm-serious-you-think-I'm-joking-but-it's-really-real-and-Whitney's-life-is-exactly-how-it-appears-on-TV-and-these-people-aren't-just-fame-hungry-or-anything-because-it's-real-life? Well, I heard a shocking revelation from someone who knows someone who heard from this guy who is best friends with the Stephanie Pratt's cousin about the show that maybe it might not be real. (ZOMG you guys! Brace yourselves!) Apparently, Roxy of Busted-Megan-Fox fame and Stephanie Pratt used to be BFFAEAEAEAE and Stephanie busted her ass to get Roxy a part on The City. And she succeeded. Clearly. But after the deal was done, Roxy gave Steph the deuces and dropped her like a ton of bricks. I can't say that I'm necessarily going to fault Roxy for giving Steph the old heave-ho, but I am saying that MTV has strayed far from the old Laguna Beach path. (Trivia for those of you who are familiar with LB, Lexi from the Kristin Cavalleri years of LB, was an auditionee for So You Think You Can Dance this season, but she got cut last night at the end of Vegas week. Wamp wamp. No more reality for you.)

This week's episode of The City was all about work. At Elle, Olivia impresses Joe Zee and the ice underneath her thickens, at least temporarily. Meanwhile, Whitney, under the sage advice of Roxy, goes behind Kelly Cutrone's back to try and pimp her new line. And crossing Mama Wolf is never a good idea, because you will get eaten. Throw in some stock footage of New York City and some indie music and you've got yourself last night's episode. But of course, what would a recrap be without this week's episode of:

The Shitty

(This week, I'm going to switch it up and keep Olivia and Whitney's sections separate, as I don't have endless stock footage to fill the gaps between the two. Deal with it.)

Olivia

[Scene 1: Joe and Erin at Armani Cafe]

Joe: Oh that little red light is on, so that means it's time to discuss Olivia. Shall we Erin?

Erin: Ugh, I'd really rather not.

Joe: Well, let's face it. Indirectly, she pays our checks on this show. So either we get to talking or we get to stepping. And then who will you scowl about?

Erin: Too true. ::sigh:: Let's see, well I think she sucks. A lot. I can work with someone who has a horrible personality. I mean, hello, there IS a mirror at my desk. But at least I get my job taken care of.

Joe: Well we have this new task for her to do. I think she's going to kill it. If not, I'll wring her scrawny little neck.

[Scene 2: In towncar]

Erin: So Liv, Livvy, Olivia. Here's the deal. 26 pieces. A to Z. Make it work.

Olivia: Wait, what?

Erin: You heard me. Make it happen.

Olivia: I'm sorry, but you really didn't explain that all too well. Or maybe the writer didn't take thorough notes. But I'm very confused.

Erin: Well, that's not my problem. So any ideas what you're going to do?

Olivia: Well I have an appointment with ::coughs and mumbles:: later today.

Erin: You'd better do more than that if you don't want to get thrown from this towncar into oncoming traffic.

(The two go to Badgley Mischka, which proceeds like a high end product placement. Erin and Olivia fawn over belts, rings, and bags, while saying price point A LOT. Lather, rinse, and repeat. Olivia goes to Robert Freyman on her own a bit later, except this time she brings a camera along with her. Take a shot everytime you hear the words price point. Then Olivia heads to Rachel Roy, whom she clearly knows off-screen.)

[Scene 3: Rachel Roy's studio]

Rachel: Oh Olivia! It's so good to see you!

Olivia: Listen, I'm hear to do a job so: price point, price point, price point. Omg that ring is amazing. Anyway, let's cut the crap.

Rachel: Right, so how are things going at Elle?

Olivia: I might kill a bitch. Seriously.

Rachel: You know what I always say? E-V-O-O. Wait, no, that's Rachel Ray. I always say that you need to take care of yourself and eventually those bitches don't matter.

Olivia: That sounds oddly familiar.

Rachel: I know, right?! I sort of DIY-ed that life lesson from a DVF quote from last season.

[Scene 4: Elle Magazine]

Joe: Hey Erin, look at these fun, totally irrelevant pictures of Victoria Beckham. Elle is so hip.

Erin: Wow, I love Victoria Beckham.

Joe: Right, enough of that plug. Oh hey Olivia! So what's the deal with A to Z?

Olivia: So, I'm nowhere near complete with this...

Erin: Ha! Knew it! So you're not done?

Olivia: ...but here's what I have so far...(Olivia puts down picture after picture of belts, bags, jewlery, vehemently agreeing with whatever Joe Zee says, and casually mentioning that she and Rachel Roy go way back. Joe Zee practically goes down on her for doing a "job well done." Whereas Erin vomits in her mouth and rolls her eyes. Could Olivia have actually done a good job?)

Whitney

[Scene 1: People's Revolution]

Roxy: What you got there, Whit?

Whit: Oh these? It's nothing. Just what I've been slaving over. My designs. I am showing Kelly them today and I'm so nervous!

Roxy: Oo let me see!

Whit: No, I don't think so. Well, ok fine. But constructive criticism only.

Roxy: Yea, sure sure (Roxy pages through some of them) What's this? It feels like a couch. A couch that I don't want to sit on. Or even look at.

Whit: I don't think you know what constructive criticism means.

Roxy: Oh shut it. Go show Kelly, I bet she'll agree with me.

Whit brings sketches to Kelly's office.

Whit: Kelly, would you mind taking a look at my sketches?

Kelly: Sure. Sit. Stay. (Kelly pages through sketches.) Your sketches are really great. I mean the actual drawing of them. I love your use of pencil.

Whit: Thanks?

Kelly: What's this though? What is this fabric? Are you upholstering this model? Also, you need about 10 more designs to get a collection out of this. Overall, I think they are good, but not great. A little too much color for my taste, but let's work together on this. Don't show anyone and we'll help you out.

Whit: I'd never show anyone. Not in a million years. Never ever ever.

[Scene 2: Brunch with Samantha]

Whit: Hey Sam. Did you get a new nose? And a personality? Something is different about you.

Samantha: It's the nose. Also, I just saw Hair on Broadway, and I was inspired to wear my hair like them.

Roxy: That's all well and good. Listen, Sam, you work at Bergdorf's, right? Whitney, you should show your designs to her boss.

Whit: ...I don't know.

Roxy: No, you should.

Whit: ...Eh....

Samantha: Seriously? I got this new nose so I would finally be relevant on this show. And this is all I get? To sit here while Roxy badgers Whitney into using my connection at Bergdorf.

[Scene 3: Mood fabrics]

Roxy: No, you really should.

Whit: Maybe.

Roxy: No. Really.

Whit: Yea, you're right. I should. Hey, by the way, why are we here? I already have swatches affixed to my sketched.

Roxy: Oh, we're just trying to corner the market on Mood Fabrics in NYC since Project Runway scampered off to L.A.

[Scene 4: Bergdorf meeting]

(Whit sits alone at conference table looking thoroughly disheveled and a little greasy. Enter Sunni, Sam's boss.)

Sunni: I don't have time for this. I'm just making that very clear. So let's get started.

Whit: Oh. OK. Well here are my sketches.

Sunni: UGH. Sketches. Give me pictures. A look book. Something. I mean they're ok. But come on, you're wasting my time.

Whit: Thanks! I really appreciate your constructive criticism.

(Note: This actually felt like it could have been real. If MTV were behind any of this, Bergdorf would have immediately picked up Whitney's line, then she'd have gone to some bar with Erin Lucas to do shots of tequila to celebrate.)

[Scene 5: People's Revolution]

Kelly: The fuck is up, Whitney?

Whit: I'm sorry?

Kelly: Don't act dumb, you bitch. Bergdorf called me. You went there and showed your designs?

Whit: It's just that Roxy said...

Kelly: Roxy said?! ROXY SAID?! Roxy is a FOB from L.A. who has been here one singular day. And you're taking advice from her? Not cool. She doesn't have your best interests at heart! She knows fuck-all. Don't cross me!

Whit: Whoa, these mentoring sessions are so different from when DVF would talk me down.

Kelly: You're damn right they are. Now get out of my sight, you maggot. And drop and give me twenty! (Pause.) But really, I love you and I'm here for you. Just don't do that again. Ever. Roxy? Bah!

Fin.
 
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